My collection of four campfire paintings. I sold one of these and thought I better get a “family” photo of them before I mail off the purchased piece. These paintings are all 8″x10″ plus the dimensions of the floating frames.
I am starting a large collection of small works (and writing a long letter on a short piece of paper). After so many exhibits this year I am resetting a bit and approaching my work in a little different way. I am always experimenting and exploring.
My solo show in Pendleton, Oregon is opening tomorrow at the Pendleton Center for the Arts. Besides all the varnishing, framing and packing I also spend some time trying to capture high resolution images of my newest work before sending them away. These are two 14″x11″ paintings that will be part of the exhibit!
Two 11″x14″ paintings I wrapped up last night… well aside from varnishing, signing, framing 😳. They really look good together as an accidental diptych!
I often work two or three paintings of similar subject at a time. It keeps my focus narrowed and my paints can be shared between multiple paintings. I frequently make interesting discoveries and small creative jumps with this approach!
This painting is part of my “Transitions” show currently on exhibit at McVarish Gallery in Astoria, Oregon.
The atmosphere of this particular painting is really delicate. The shoreline a haunted edge barely existing along the expansive water. I am always striving to capture the sense of beauty I see with subtle mark making and simple gestures. It is such a difficult thing to do but when it works it feels like magic!
I have a soft spot in my heart for this particular painting. It encapsulates a lot of the elements I strive for in my work. I liked this painting so much that I was abnormally fearful of dropping it or damaging it in some unknown way! Kind of funny considering I destroy work all of the time, it is part of the process of creation for me. As a result I am less sentimental about work… but apparently not always!