I love painting moody water and cloudscapes. I tend to turn them into something I think of as an emotional landscape. Expressive and full of motion, a place to put my feelings I suppose.
This is one I just finished yesterday. I will be working on some more along this theme!
Christmas is rapidly closing in. I have all of my presents wrapped so I snuck over to the studio to do some framing. I have a lot of this sort of work to do at the beginning of 2019… I will split my time with painting. I get fidgety knowing I will be out of the studio a lot in the coming week!
This painting is on an 18″x14″ board. Not entirely a standard size for frames but I have found a few floater frame options. Lately I have been working on larger panels, it is hard to go back to small boards! This size might become my new “small painting”.
It seems like I always have a lot of “series of paintings” I want to work on. This is one I am going to boost up a bit higher in priority. A sort of heavenly view of the skies. Dreamy and a bit surreal or at least that is my thought today.
I painted this little study this morning. I am also prepping a bunch of larger panels to move forward with these paintings…
I find myself chasing ethereal beauty in my work. Trying to find that otherworldly magic that is impossible. Once in a while I catch a glimpse and it keeps me running.
This is a painting I finished September 14th. Instagram helps me keep track of such trivia!
It was one of three paintings I sold to a nice woman from Kuwait. I have shipped paintings all over the planet but this was the slowest and most worrisome shipment. It arrived in Kuwait City very quickly but then it took about 6 weeks for her to receive it! It all worked out though and she has them hanging together on her wall.
It’s another Wednesday and I am so thankful to have a dedicated space to paint. Also the time to work on the art I really care about. The winter has arrived but I am excited about being hold up in my studio and giving it all I’ve got! Strangely upbeat today, must be a chemical imbalance.
This painting is on the bubble for me. It has a lot of the force and intrigue I enjoy but is that enough? I will catch it out of the corner of my eye when I am working and it draws my attention… is that enough? It has some beautiful color, blending, texture, shape and motion… enough?
I am forever running out of painting surfaces. Now when I finish a painting I set it aside in the studio rather than varnishing it. I let a little time and distance come between me and the painting and see how it stacks up against other works I am making. Then when there are too many paintings and not enough new boards I spend a morning removing paint from the ones that fall short.
This has become part of my process. I am increasingly comfortable destroying to create. Nothing is sacred.
Still not sure if I will keep it but it is intriguing so I will put it aside and let it breathe.
I have new representation in Jackson Hole, Wyoming! I have taken many trips to Wyoming and Jackson in particular. A really amazing town with a lot of great art galleries and artists.
Yesterday’s painting, it felt like a pretty good day in the studio.
brian sostrom 