Turn to Yesterday

Turn to Yesterday – 40”x24”, acrylic

A large new sunset in the studio. It has become clear to me that I am obsessed with transitions of lighting. Fleeting moments that are so beautiful and momentary as to break your heart. This weekend I went to a celebration of life for my beloved Aunt. Life is just as temporary as the fading light… the reminders are growing. It is impossible not to dwell in these thoughts.

Who?

image

This is a 10″ x 10″ owl painting I did. Originally I was doing a set of three but the third one refused to pan out. This one featured nice loose brush strokes and the paint had a really easy quality that I liked. The second owl painting was sold before I could get a proper photograph. Both paintings were done on a really thick translucent acrylic substrate and feature exciting depth allowing the light to reflect through the paint.

A Mixed Bag (Amalgamation)

sleep mix

swan

water and meat

Anyone who has digitized their artwork knows how difficult it can be to capture an accurate representation. First getting the image “square” so that the art is not being distorted. Finessing the lighting so that it is bright without glare. Balancing the contrast, hue and saturation to accurately represents the original work etc…

I recently had a little fun with some work I had painstakingly digitized. I used a simple little app called “layout” on my iPhone in order to combine multiple images for a single Instagram post. Immediately the paintings started to feel like new work. The specifics of the images and the context shifted making them feel fresh and a bit more intriguing. In college I created a number of paintings that were a pre planned amalgamation but they lacked the spontaneous and unique results that are immediately possible in the digital age. Part of me wants to take a saw and glue to my work to recreate these kind of hybrids! In the end it is just an interesting exercise. What are your thoughts on the results?