As a painter I have the freedom to follow my whims wherever they ramble. I am pursuing some work that is a bit more fantastical with no specific plan. The day I started to make real progress on this piece I found out Mark Lanegan passed on. Sadly that is burned into my brain, maybe appropriately so.
A large new sunset in the studio. It has become clear to me that I am obsessed with transitions of lighting. Fleeting moments that are so beautiful and momentary as to break your heart. This weekend I went to a celebration of life for my beloved Aunt. Life is just as temporary as the fading light… the reminders are growing. It is impossible not to dwell in these thoughts.
There is a spark I feel and it is a precious thing. As the building crumbles the fire flares inside. I am a painter, an art form dead generations before. I don’t care the flame shall be nurtured, it calls my name.
Healing wounds through obliteration. The erosion of every living thing. Document and memorialize, the void is gaping thee.
This is a 10″x10″ monkey skull painting in acrylic. I’ve always thought skulls are interesting. The similarities between human and monkey skulls adds an extra bit of creepiness.
This is a 10″ x 10″ owl painting I did. Originally I was doing a set of three but the third one refused to pan out. This one featured nice loose brush strokes and the paint had a really easy quality that I liked. The second owl painting was sold before I could get a proper photograph. Both paintings were done on a really thick translucent acrylic substrate and feature exciting depth allowing the light to reflect through the paint.
Anyone who has digitized their artwork knows how difficult it can be to capture an accurate representation. First getting the image “square” so that the art is not being distorted. Finessing the lighting so that it is bright without glare. Balancing the contrast, hue and saturation to accurately represents the original work etc…
I recently had a little fun with some work I had painstakingly digitized. I used a simple little app called “layout” on my iPhone in order to combine multiple images for a single Instagram post. Immediately the paintings started to feel like new work. The specifics of the images and the context shifted making them feel fresh and a bit more intriguing. In college I created a number of paintings that were a pre planned amalgamation but they lacked the spontaneous and unique results that are immediately possible in the digital age. Part of me wants to take a saw and glue to my work to recreate these kind of hybrids! In the end it is just an interesting exercise. What are your thoughts on the results?