I am painting a collection of square 20” landscapes on wooden panels. This is the third painting in the series. I am hoping to do four more paintings this size!
These 16″x16″ paintings are part of the larger series of paintings I have started. I am preparing some 24″ surfaces as well and hope to have more large works soon.
This is an older painting. I built up a heavily textured substrate and painted over that rough surface with acrylics.
This is an 18″ x 18″ acrylic painting that I recently finished.
Before I took the final photograph I took a snapshot with my iPhone in the studio. My subjects have been bouncing around from minimal landscapes to portraits of cows (cowscapes)? I thought it was interesting seeing the latest cow portrait next to “Cloud & Sea” on my easel. Wondering how these paintings will relate to one another in the context of a gallery show. Each painting was done by the same hand, same mediums and the same general approach. They are different paintings but they both are sort of a simplistic study of isolation/solitude. These two in particular had a nice relationship and set my mind at ease to some degree.
Building a collection of paintings for a show is both exciting and a bit daunting. I am always wondering if I shouldn’t narrow my scope and make a really tight collection of paintings with a very specific subject holding them together. The problem is when I’m working I always get excited about “the next painting”. Often this leads to something seemingly unrelated to the previous piece. Tangents and random explorations are part of the creative process and lead to new ideas and often new approaches. In a perfect world I would love to have a massive space where I could hang paintings to really get the overall feel. Then I would replace paintings that were not bolstering the show. Remove paintings that felt redundant or didn’t enrich the overall feeling. Create new paintings that would fill out the collection in just the right way. Of course this is not a perfect world and that is just a daydream. So ultimately I will follow my gut when choosing pieces and have a little faith…
The fatted calf scampered over to the fence. He assumed my presence at the wire signaled it was time for me to feed him! ‘Twas the other way round.
Note: This is a work of fiction. The calf, lovingly called “fatty”, has many sunny days ahead, presumably.
This is a painting I just varnished today. It is an 18″ x 18″ acrylic painting. The unusual textures throughout were predominantly created with a small squeegee and a palette knife. The very short story was something that occurred to me when I was out shooting reference shots of cows in some of the local fields. I felt guilty the way they would come running up to the fence and all I had to offer was a smile…