Sea & Sky

I have finished two more paintings recently. These are continuations of a theme I started last spring. That theme is essentially a study in atmosphere and emptiness in landscape painting.

Both paintings are acrylic paint on plexiglass. “Cloud and Sea” is 20″ x 20″ and Water’s Lullaby is 18″ x 18″. I think the cloud painting is the most successful, it has a moody ethereal felling that I like. Which painting do you prefer and why?

More and more I want to reduce my imagery down to a minimal form and allow the paint to be the subtle star of the show. If only I didn’t have to work a day job! But the isolating night is a pretty ideal setting for this type of imagery… the trick is staying motivated and awake.

Clouds in my mind

This is a cloud painting I’m finally getting close to finishing. I guess when something is “finished” it has officially run out of potential? Maybe that’s why I’m dragging my feet these last few weeks. I am trying to wrap up a number of paintings… Of course I have to start some more to keep the wheel turning.

I’m also attaching a photo I took last night. I was thinking this particular corner of the studio had a lot of interesting things happening. It isn’t the “landfill” style of decoration I have used around the rest of the space. Anyway just got nostalgic looking at objects representing the last 6 years or so. One of the last crazy Halloween masks I made was in the shot along with paintings and show flyers. I did a terrible job framing the shot but it was good enough for Instagram!

A little more nothing

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working late in the studio with a ridiculous number of unfinished pieces. I keep starting new things and jumping around. Generally I think it is a good approach to have a few works in progress. It keeps them fresh to the eye…  allows for drying etc. these days I feel like I am always starting projects but nothing seems to roll across the finish line. Maybe best not to over think it.

Ripple then Wave

I finished some of the desolate water paintings I started on recently. These are two of the paintings of which I am particularly fond. You can see some interesting surface qualities if you look carefully. These are most noticeable on the first image, particularly along the left side. These odd textural anomalies are my favorite things! These paintings both have deep translucent depth, more than 1/8th inch so the light really moves through the work.

The Boatman

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This was one of a black bird series I was working on a few years ago. Part of that time period where I was creating paintings in unstable ways and letting them crack, run or erode. I liked the idea of a paintings forming with me just guiding the process. I have completely changed the way I paint a number of times since then but it is interesting to look back.