I asked for water

Oh wait, I did not!

Do you ever derail your own plans? I have been working on some ideas to move forward with for my next show. These water paintings are not part of that plan and yet I seem committed to them. I don’t know if I am sabotaging myself or just following my artistic spirit…

These are all 18×18″ paintings and I am thinking of bringing 3-5 of them to a finished state. Currently I am just roughing out motion and the gestures, really the heart. I am going to cull it down to my favorites and go from there.

I also plan on showing more “work in progress” if that is interesting to people? I know I like to see other people creating so I will give it a try. Either way spending my time in a filthy shirt with paint on my hands is the way to go!

Symbols & Signs

 

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This painting goes back a few years.

I was working with really thick translucent acrylic paint. I would pour it on and aggressively dry it in front of a heater and the surface would craze in unpredictable ways. A person can never entirely dictate the way materials will interact when used in unconventional ways. That unpredictable outcome can result in something that feels akin to magic but more often results in wasted materials. I was caught in a loop basically lured along by glimpses of success but wasting too much time. Quite literally hanging around watching the paint dry! The method of painting, used in this particular piece along with scores of others, I have moved away from. It started to feel more and more like that definition of insanity…

This blackbird painting was one I considered a success, he seemed to know the score.

 

 

even the moonlight is blinding

moonlight

The moon always a powerful presence in the sky, night or day. It seemed like a good excuse to post the last few lines  from a great song by an amazing songwriter…

Townes Van Zandt – Rake


And now the dark air is like fire on my skin
And even the moonlight is blinding

Who?

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This is a 10″ x 10″ owl painting I did. Originally I was doing a set of three but the third one refused to pan out. This one featured nice loose brush strokes and the paint had a really easy quality that I liked. The second owl painting was sold before I could get a proper photograph. Both paintings were done on a really thick translucent acrylic substrate and feature exciting depth allowing the light to reflect through the paint.

Nowhere

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Another empty water scene. I used a squeegee and brush to create this like most of the other water scenes I’ve painted. This one has some interesting and subtle texture particularly in the upper left portion of the image. I used interference paint underneath the texture that gives it a dynamic quality that you can see as you move around the painting. Most of these have been 18″ x 24″ and 20″ x 20″, I really want to make very large version at some point… so much to do!