I have three paintings in a group show at the confluence gallery. The show is called “Shadow & Light”, a pretty nice theme for an art show that can be extended in a lot of psychological as well as literal directions.
These are 18″ x 18″ paintings, they appeared gigantic when it was time to box them up but they look so small here! I will not be able to attend the opening of the show so ended up mailing the paintings… always seems a little scary!
This is an atmospheric painting I have just been working on. Working with thinly applied paint with very little opacity. I blend and remove paint while it is still wet and try to work out a sense of shadow and volume. It is an exciting and odd method of working that can help create that haunted forsaken feeling that seems to be my endless goal. I struggle not to overwork the image, it is incredibly difficult to find a balance between not enough and overwrought (it turns out too much is never enough! is nonsense 1980’s MTV!). I continue to create a large body of unfinished work. Ultimately I need to step up my game so that I can put together a proper show by late March.
R.I.P. David Bowie
This painting that goes back a few years. I was playing around with Brewer’s Blackbirds as stark symbolic subjects. Lacking the stature and mystique of the crow they are nonetheless interesting birds. The strange light ring of their eye… the surreal dark shapes they create in the sky with their multitudes. I dusted this one off recently as it was purchased by my brother in-law as a Christmas gift. I realized I didn’t have a decent photograph so I took a little time to capture one!
This was a small painting I did after doing a lot of large expressive paintings with similar color and value. This was much more realistic. It’s a recent relic, the subject over shadowed the paint. Still it has it’s charms!
These are some of the Endless Roar paintings I had started a while back. I finished them since the previous post. Here are five of them! You can see some of the texture showing through the paintings. The texture seems to shift with the lighting and angle of view.
I started this painting January 1st. It is going to be a busy year, best get started!
When I was young I used to get so excited about hunting season. The crisp fall air, camping with my Dad. Now I find myself releasing every fish i catch… I love animals the idea of hunting has lost the magic. I have always loved animals but the way we humans absolutely eat this planet so much worst then hunting. I cherish wildlife and it is truly one of my great joys. This is painting is a few years old but appropriate for the season.
Since I was a child I have always had an interest in skulls. I used to collect them and prize each skull I came across in my wanderings. At a certain point that sort of behavior becomes a bit “odd”. Luckily all of my interests were odd so it blended seamlessly into the patchwork.
A couple years ago I spent a bit of time painting still life images containing rocks and bones… This particular setup was in a box I lined with aluminum foil. As the title suggests, it is the skull of a peccary… a really interesting little pig like animal found in the desert. The skull is incredibly thick and powerful for such a tiny creature… and the teeth!
This painting goes back a few years.
I was working with really thick translucent acrylic paint. I would pour it on and aggressively dry it in front of a heater and the surface would craze in unpredictable ways. A person can never entirely dictate the way materials will interact when used in unconventional ways. That unpredictable outcome can result in something that feels akin to magic but more often results in wasted materials. I was caught in a loop basically lured along by glimpses of success but wasting too much time. Quite literally hanging around watching the paint dry! The method of painting, used in this particular piece along with scores of others, I have moved away from. It started to feel more and more like that definition of insanity…
This blackbird painting was one I considered a success, he seemed to know the score.
Another moon related painting. This one had some interesting texture variations in the sky.
brian sostrom 