Clouds in my mind

This is a cloud painting I’m finally getting close to finishing. I guess when something is “finished” it has officially run out of potential? Maybe that’s why I’m dragging my feet these last few weeks. I am trying to wrap up a number of paintings… Of course I have to start some more to keep the wheel turning.

I’m also attaching a photo I took last night. I was thinking this particular corner of the studio had a lot of interesting things happening. It isn’t the “landfill” style of decoration I have used around the rest of the space. Anyway just got nostalgic looking at objects representing the last 6 years or so. One of the last crazy Halloween masks I made was in the shot along with paintings and show flyers. I did a terrible job framing the shot but it was good enough for Instagram!

A little more nothing

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working late in the studio with a ridiculous number of unfinished pieces. I keep starting new things and jumping around. Generally I think it is a good approach to have a few works in progress. It keeps them fresh to the eye…  allows for drying etc. these days I feel like I am always starting projects but nothing seems to roll across the finish line. Maybe best not to over think it.

If you say run

 

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I wasn’t intending to post a photo of what I was working on tonight… but here we are. Still with David Bowie stuck in my brain. I always liked him but was never more excited about him than hearing Kurt Cobain say “that was a David Bowie song”… Today on rollingstone.com I was reminded of the excellent sketch he was in on Extras… oh man it reminds me why I loved Rickey Jervace as well… To a much lesser degree obviously. None of this has a thing to do with my late night painting… just thoughts and marks on a board. Also beef, it’s what’s for dinner.

Broken Lines

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There is something intriguing about antique communication devices. They are often really beautiful objects that play no part in our modern world. I purchased this phone on eBay because I wanted to use it as a subject! I was also experiementing with destruction. I often use squeegees and unusual brushes to create marks that I find beautiful. This time I recklessly attached the painting with liquids before it had dried. The results speak of chaos, I thought some of it was pretty interesting looking. I have not been pouring liquid on my wet paintings as of late but like the subject itself I may revisit.

Portrait Vignette

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This was a 10″ x 10″ cow portrait I did in acrylic not too long ago. Once again using the cow as sympathetic subject. I have been working on highly atmospheric environmental scenes of late. I have largely abandoned opaque colors since doing this painting. I am trying to make work with a lot of transparency and light penetrating the paint.  I hope to bring it back around and do some large sweeping landscapes with shadowy cows. We shall see where things go… Best to follow the work rather than trying to map out a plan.

Fog of Isolation

These two paintings were part of a small collection of animal paintings I did. Very heavily influenced by Tonalism, a movement that emerged in the 1880s. Works that fell under that umbrella of style were painted with an overall tone of colored atmosphere.

There were a lot of really interesting artists that were grouped into this art movement such as George Innes and James McNeil Whistler. My personal favorite was Albert Pinkham Ryder, his work is more stylized with a very grim and haunting look. I was excited to see some of his original pieces at the Santa Barbara Museum of Art a number of years ago!