
Atmospherics and lighting are always intriguingly me. When nature stops me in my tracks, I take note.

Atmospherics and lighting are always intriguingly me. When nature stops me in my tracks, I take note.

I am always intrigued by light and the ethereal nature of clouds.

I sold this painting last weekend while it was a WIP through my Instagram stories. It always picks me up, selling work unexpectedly. I immediately waste the money on art supplies, circle of life.

A proper photo of this painting. I am building a body of work for two major exhibits this year.
Light and atmospherics are always part of my painting. This one is especially powerful in person.
I don’t like to plan, so much to do. Grand aspirations only seem to disappoint. The tedious artistic attitude, dissatisfied with work. I appreciate the positives regardless of the height. Nothing competes with the feeling of creation. Something new and alive, glimpsed through the pane.

Another painting from my top nine of 2019, according to Instagram! This painting was inspired by a winter trek to the Kootenai National Wildlife Refuge. The beautiful area is very far North Idaho.
The painting sold through Horizon Fine Art Gallery in Jackson, Wyoming!


A brooding forest scene. Experimenting with some new ideas.

Last weeks TBT has inspired me to pursue some small water panels.

I sold this after the show ended. I have discovered that Art Centers are a bad way to sell artwork. They can be a fun social event but for artists trying to make a living, I haven’t had any good experiences. Selling work through a small gallery is likely to be a better way to sell art. If you can sell work yourself no one is taking 50% of the sale!

This painting is on the bubble for me. It has a lot of the force and intrigue I enjoy but is that enough? I will catch it out of the corner of my eye when I am working and it draws my attention… is that enough? It has some beautiful color, blending, texture, shape and motion… enough?
I am forever running out of painting surfaces. Now when I finish a painting I set it aside in the studio rather than varnishing it. I let a little time and distance come between me and the painting and see how it stacks up against other works I am making. Then when there are too many paintings and not enough new boards I spend a morning removing paint from the ones that fall short.
This has become part of my process. I am increasingly comfortable destroying to create. Nothing is sacred.

Still not sure if I will keep it but it is intriguing so I will put it aside and let it breathe.