I have three paintings in a group show at the confluence gallery. The show is called “Shadow & Light”, a pretty nice theme for an art show that can be extended in a lot of psychological as well as literal directions.
These are 18″ x 18″ paintings, they appeared gigantic when it was time to box them up but they look so small here! I will not be able to attend the opening of the show so ended up mailing the paintings… always seems a little scary!
This is an atmospheric painting I have just been working on. Working with thinly applied paint with very little opacity. I blend and remove paint while it is still wet and try to work out a sense of shadow and volume. It is an exciting and odd method of working that can help create that haunted forsaken feeling that seems to be my endless goal. I struggle not to overwork the image, it is incredibly difficult to find a balance between not enough and overwrought (it turns out too much is never enough! is nonsense 1980’s MTV!). I continue to create a large body of unfinished work. Ultimately I need to step up my game so that I can put together a proper show by late March.
R.I.P. David Bowie
This was a 10″ x 10″ cow portrait I did in acrylic not too long ago. Once again using the cow as sympathetic subject. I have been working on highly atmospheric environmental scenes of late. I have largely abandoned opaque colors since doing this painting. I am trying to make work with a lot of transparency and light penetrating the paint. I hope to bring it back around and do some large sweeping landscapes with shadowy cows. We shall see where things go… Best to follow the work rather than trying to map out a plan.
These two paintings were part of a small collection of animal paintings I did. Very heavily influenced by Tonalism, a movement that emerged in the 1880s. Works that fell under that umbrella of style were painted with an overall tone of colored atmosphere.
There were a lot of really interesting artists that were grouped into this art movement such as George Innes and James McNeil Whistler. My personal favorite was Albert Pinkham Ryder, his work is more stylized with a very grim and haunting look. I was excited to see some of his original pieces at the Santa Barbara Museum of Art a number of years ago!
This painting that goes back a few years. I was playing around with Brewer’s Blackbirds as stark symbolic subjects. Lacking the stature and mystique of the crow they are nonetheless interesting birds. The strange light ring of their eye… the surreal dark shapes they create in the sky with their multitudes. I dusted this one off recently as it was purchased by my brother in-law as a Christmas gift. I realized I didn’t have a decent photograph so I took a little time to capture one!
These are some of the Endless Roar paintings I had started a while back. I finished them since the previous post. Here are five of them! You can see some of the texture showing through the paintings. The texture seems to shift with the lighting and angle of view.
I started this painting January 1st. It is going to be a busy year, best get started!
Here is a quick composite of work. Another year raced off.
I am working on more cloud and atmospheric work. This is the latest painting, it is an 18″ x 18″acrylic.
I painted six small water paintings. These are 10″x10″, so fairly small. The painting I singled out with a close up I am giving to my niece for Christmas… Just wrapped it!
brian sostrom 