Fog of Isolation

These two paintings were part of a small collection of animal paintings I did. Very heavily influenced by Tonalism, a movement that emerged in the 1880s. Works that fell under that umbrella of style were painted with an overall tone of colored atmosphere.

There were a lot of really interesting artists that were grouped into this art movement such as George Innes and James McNeil Whistler. My personal favorite was Albert Pinkham Ryder, his work is more stylized with a very grim and haunting look. I was excited to see some of his original pieces at the Santa Barbara Museum of Art a number of years ago!

Three

Three Black Birds

This painting that goes back a few years. I was playing around with Brewer’s Blackbirds as stark symbolic subjects. Lacking the stature and mystique of the crow they are nonetheless interesting birds. The strange light ring of their eye… the surreal dark shapes they create in the sky with their multitudes. I dusted this one off recently as it was purchased by my brother in-law as a Christmas gift. I realized I didn’t have a decent photograph so I took a little time to capture one!

Ripple then Wave

I finished some of the desolate water paintings I started on recently. These are two of the paintings of which I am particularly fond. You can see some interesting surface qualities if you look carefully. These are most noticeable on the first image, particularly along the left side. These odd textural anomalies are my favorite things! These paintings both have deep translucent depth, more than 1/8th inch so the light really moves through the work.

Heaven Knows

Clouds, the mighty transporters of water, are a beautiful presence above. Morphing and shifting they are never the same from moment to moment. Casting darkness as they steal the sun’s light they set the tone, create a mood. There is a meditative quality to clouds, something primitive and soothing. To me painting clouds creates that same hypnotic feeling, I hope the result echoes the creation.