Coud & Sea
I have finished two more paintings recently. These are continuations of a theme I started last spring. That theme is essentially a study in atmosphere and emptiness in landscape painting.
Both paintings are acrylic paint on plexiglass. “Cloud and Sea” is 20″ x 20″ and Water’s Lullaby is 18″ x 18″. I think the cloud painting is the most successful, it has a moody ethereal felling that I like. Which painting do you prefer and why?
More and more I want to reduce my imagery down to a minimal form and allow the paint to be the subtle star of the show. If only I didn’t have to work a day job! But the isolating night is a pretty ideal setting for this type of imagery… the trick is staying motivated and awake.
I’m making a number of pretty large cow portraits. So far they are all 20″x20″. I’m trying to strike that balance between subtle atmosphere and interesting brush work/mark making. The paint in this one is harmonizing with the shining texture beneath the surface.
This is an atmospheric painting I have just been working on. Working with thinly applied paint with very little opacity. I blend and remove paint while it is still wet and try to work out a sense of shadow and volume. It is an exciting and odd method of working that can help create that haunted forsaken feeling that seems to be my endless goal. I struggle not to overwork the image, it is incredibly difficult to find a balance between not enough and overwrought (it turns out too much is never enough! is nonsense 1980’s MTV!). I continue to create a large body of unfinished work. Ultimately I need to step up my game so that I can put together a proper show by late March.
brian sostrom 